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1959
Directed by: Nasir Hussain
Music: Usha Khanna
Starring: Shammi Kapoor, Asha Parekh, Rajendranath,
Sulochana, Sidhu
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Dil Deke
Dekho was Nasir Hussain's second movie after Tumsa
Nahin Dekha. And while the plot is very similar to the latter movie (for a
great review, go here), Asha Parekh in her debut role was a darn
sight better than Ameeta in hers. Okay, that is a very subjective opinion, so
all due apologies to Ameeta fans out there. :) This film also saw Usha Khanna
debut as music director; it wasn't the greatest of debuts since four songs from
the soundtrack were seen as 'lifts', but apart from 'Dilruba, meri Neeta'
which was a direct lift from 'Diana' , I would say the
others were *only* 'inspired'.
I watched it originally for Shammi Kapoor because Asha Parekh also does not rank amongst my favourite actresses, but she did do a good job in this one. And she did look dashed pretty, which was mostly what was required of her. But subsequent viewings made me (almost) like her. The villain (Sidhu) impressed me; haven't seen him before or since, which is a shame.
I watched it originally for Shammi Kapoor because Asha Parekh also does not rank amongst my favourite actresses, but she did do a good job in this one. And she did look dashed pretty, which was mostly what was required of her. But subsequent viewings made me (almost) like her. The villain (Sidhu) impressed me; haven't seen him before or since, which is a shame.
Treachery is
in the air as Harichand (Wasti), who is Jamuna Devi's (Sulochana) long-time
employee, schemes with his paramour to get his hands on her property, and take
revenge on her husband, Rana Raghuvir (Surendra) at the same time.
It is a very
complicated plot. Harichand meets a man who dies unexpectedly. Harichand
disfigures the face, so he can fake his own suicide. He leaves a note for
Jamuna saying that he cannot bear the guilt of his love for her any more, and
begs her to take responsibility of his son, Kailash.
Jamuna has barely read the note, and is struggling to make some sense of the false accusation, when her husband, without much ado, accuses her of having cuckolded him.
Jamuna has barely read the note, and is struggling to make some sense of the false accusation, when her husband, without much ado, accuses her of having cuckolded him.
Having flung
a few more unfounded accusations at her, he rushes off taking their son, Roop,
with him. Jamuna is bereft. Years pass. Harichand has wandered off with Nagina
to Rangoon. Rana has left for the city where he seeks employment in a factory,
but is blinded in an accident.
Years pass, but Jamuna does not lose hope. Kailash has grown up to be a bumbling idiot (Rajendranath). Idle comment No.1: If it is Rajendranath, how can he help but be a bumbling idiot? Harichand has become an alcoholic; his younger son, Sohan (where did this chap come from?) hates him for having played ducks and drakes with the wealth that his late mother had left in his name.
Years pass, but Jamuna does not lose hope. Kailash has grown up to be a bumbling idiot (Rajendranath). Idle comment No.1: If it is Rajendranath, how can he help but be a bumbling idiot? Harichand has become an alcoholic; his younger son, Sohan (where did this chap come from?) hates him for having played ducks and drakes with the wealth that his late mother had left in his name.
Harichand promises to get him the wealth back with interest - after all, his older son must have become Jamuna's heir by now. And so, they make their way back to India. Jamuna hopes to get Kailash married to Nita Asha Parekh), the daughter of an old friend, Jagat Narain.
Nita is not
very happy with the prospect, but her father and she have been the recipients
of Jamuna's bounty (Jamuna had Nita educated abroad.) and she feels a sense of
obligation. Jamuna sends Kailash off to Nainital so he can woo Nita.
In the meantime, Nita's friends tell her about one of their friends who had fallen in love with the drummer of the local club. He had apparently been very friendly with her at first, but had slapped her in public when she confessed her love. Nita vows to avenge her friend. The friends are taken aback - they do not want any public altercation, so one of them warns the drummer of Nita's intentions.
In the meantime, Nita's friends tell her about one of their friends who had fallen in love with the drummer of the local club. He had apparently been very friendly with her at first, but had slapped her in public when she confessed her love. Nita vows to avenge her friend. The friends are taken aback - they do not want any public altercation, so one of them warns the drummer of Nita's intentions.
Having
learnt of her intention, Raja (Shammi Kapoor) cons her into beating up his
friend. Ouch! Nita is not very repentant at having beaten up the wrong person;
but both Raja and his friend lose their jobs.
And then we learn that Raja is actually Roop, Jamuna's long-lost son, who is working to earn money for his father's surgery. And just as much as his father is obsessed with hating his wife, so is Raja obsessed with finding out just what happened so many years ago.
Jamuna is leaving Ranikhet for Nainital - she asks her manager to find a bandmaster and a dancer for the hotel. 'Advertise if necessary' she tells him, but the hotel should have both before her return. You can see where this is going.
Raja runs into Nita again - and it's six of one and half of a dozen of the other. He wants to pay her back for the loss of their jobs, but he is also attracted to her. He plays one of her friends up against Nita, and both the girls are under the impression that he is the other's boyfriend.
And so, they
sing - Megha re / Bade hai dil ke khaali; but the
end of the song(s) sees the charade fall through. Nita is further incensed. And
Raja is pleased at the end result. So is his friend - he has just seen the ad
for a bandmaster for a Ranikhet hotel. Raja has a new scheme up his sleeve.And then we learn that Raja is actually Roop, Jamuna's long-lost son, who is working to earn money for his father's surgery. And just as much as his father is obsessed with hating his wife, so is Raja obsessed with finding out just what happened so many years ago.
Jamuna is leaving Ranikhet for Nainital - she asks her manager to find a bandmaster and a dancer for the hotel. 'Advertise if necessary' she tells him, but the hotel should have both before her return. You can see where this is going.
Raja runs into Nita again - and it's six of one and half of a dozen of the other. He wants to pay her back for the loss of their jobs, but he is also attracted to her. He plays one of her friends up against Nita, and both the girls are under the impression that he is the other's boyfriend.
He has even
received two responses - only, neither of them have any name or address. Both
ask him to meet at the Everest Club - the signs for recognising him are
different; one wants him to hold a rose in his hand, the other, an apple. Pyare
is disgusted, but Raja perseveres.
A few comic
situations later, he meets both his 'dates'. Not surprisingly, they are Kailash
and Nita. The former wants Professor Samri's help in wooing Nita and getting
rid of another suitor to her affections. Nita wants Professor Samri's help in
getting rid of Kailash!
And this
gives Raja the chance to don yet another disguise. Some comic sequences follow
(with poor Kailash being the butt of a deliberate misunderstanding), and a
'contest', which gives us Do ikkam do, do dooni char. However, neither
Kailash nor Nita get what they want.
But
Professor Samri has made Raja richer by a couple of thousand rupees. It is
enough for his father's operation, and Raja sends his father off to Delhi with
Pyare's father, Murli. Jagat Narain has also come to the station to see off a
friend; he sees Rana just as the train is pulling out of the station.
Pyare is insistent that Raja and he make their way to Ranikhet - they are not
going to get a job like this again. Raja is strangely hesitant. The biter has
been bit!
Jagat Narain
tells Jamuna about sighting Rana, and promises to do his best to track Rana and
Roop down. Halfway through the journey, Rana realises that he has lost the
money that Raja had given him. Murli has a friend in town with whom they can
stay until Raja can send them some more money. Rana is waiting for Murli to
come back when he is spotted by Harichand and Sohan, who are making their way
to Ranikhet. Harichand is scheming to pass Sohan off to Jamuna as Roop. Sohan
decides to find out what he can from Rana. In conversation, Sohan pretends that
he is going to Nainital, and the Rana asks him to take a letter to his son. He
gives Sohan the letter and a photograph of Roop, so that Sohan will have no
difficulty in recognising him.
Meanwhile,
back in Nainital, Jamuna has asked Kailash to go back to Ranikhet. When he
insists on Nita accompanying him, she gives in. Nita is unwilling but forced to
accede to Jamuna's wishes. However, she confides in Professor Samri, who, now
that he finds out that Nita is going to Ranikhet, is more than willing to go
there himself. Their meeting also gives Raja an opportunity for another pretty song-and-dance. Only, Nita is not impressed.
The next
morning, Nita sets off to Ranikhet with Kailash. After one set of
contretemps, the car develops another problem, and not surprisingly, Kailash is
unable to do anything to fix it. Raja, who is passing by, offers Nita a lift.
He makes full use of this opportunity. (He is also kind enough to tow Kailash's
car - only he gives him a long rope.)
Nita can't
help smiling (and Kailash can't help glowering) though she is nowhere near in
love with Raja yet. But Kailash, jealous as he is, cannot help but believe that
she is in love with him. He not only fights with Nita whereupon she flounces
off to stay at the hotel until Jamuna arrives, but also calls Nita's father to
complain about Nita's behaviour. Neither Jagat Narain nor Jamuna are very happy
about this. Jagat Narain has already traced Rana's address and has also found
out that Roop has gone to Ranikhet. He is sure that once Roop is found, Jamuna
will be amenable to Nita marrying Roop instead of Kailash.
Raja and
Pyare are soon employed at the hotel. That gives Nita a chance to shake a leg
with him - and this time, Nita is melting...
Well, he
looks like this. Who can blame her?Harichand and Sohan are also staying at the hotel and Sohan recognises Raja as soon as he sees him. They meet up with Kailash and convince him that since his courtship of Nita isn't going anywhere, he should throw his chips in with theirs as they fool Jamuna into believing that Sohan is Roop.
That night, Nita's sleep is disturbed by dreams of Raja, and she is soon admitting (to herself) that she loves him. Too distraught to sleep any further, she steps out into the misty morning, only to run into Raja.
Her love for
him is revealed but she is now visibly distraught. She knows neither her father
nor Jamuna will approve of a penniless musician, and so she begs Raja to go
away from her life. In the meantime, Sohan has put his plan into action.
Disguised, he hands over Rana Raghuvir's letter to Roop to Jamuna. Now all that
remains is for him to present himself (as his own self) to her in the form of
Roop. Which he manages, very cleverly. Jamuna fixes up Nita's marriage with
'Roop'.
Back at the
hotel, Nita drums up enough courage to tell Jamuna that she cannot marry
Kailash. When Jamuna doesn't seem to mind, she goes to share the good news with
Raja only to find that he has quit his job. She finally finds him, writing a
letter to her bidding her goodbye. It is time
for another duet.
When they return to the hotel, Raja
runs into Jamuna. It only puts
Raja on his mettle. During the evening performance, he makes a public
declaration of his love, and challenges Nita to join him. Though
scared, she stands by him, much to Jamuna's displeasure.
Back at the
house, Jamuna calls Nita to her and tells her that her son Roop has been found.
And that she wants Nita to marry him - that is why she agreed to Nita not
marrying Kailash. However, she will not tell Nita who he is. Nita is upset. She
goes to Raja's room, where she finds a letter from Rana Raghuvir to Roop alias
Raja. She is thrilled to find out that Raja and Roop are the same person, and
is under the happy misapprehension that this is the same man that Jamuna wants
her to marry.
But there
are more complications in store. Nita has agreed to marry 'Roop'; Jamuna is
happy but does not know that her Roop is not the same as Nita's Roop.
Sohan and Harichand have some more treachery in store. Their intention is not
just for Sohan to marry Nita, but to ensure that Nita and Roop are killed. Will
Nita be able to stand up for her love once again when she finds out that she is
marrying the wrong person? Will Roop be able to sort the many tangles? And
surely Sohan is not going to stand around watching while his dreams of wealth
are shattered.
Sidhu
(Sohan) made an impressive villain, and quite a handsome one at that, only to
vanish into ether after a couple of nondescript roles (one assumes). The plot
was as convoluted as Nasir Hussain could make it, but somehow, it is all
untangled to satisfaction in the end. And everything ends happily ever
after. It's perfect Sunday-evening fare. Or Friday evening. Or whenever
you need something to lift up your spirits.