Directed by: Raj
Kapoor Music: Shankar-Jaikishan Lyrics: Shailendra, Hasrat Jaipuri Starring: Raj Kapoor, Vyjayanthimala, Rajendra Kumar, Hari Shivdasani, Achla Sachdev, Lalita Pawar, Iftekhar |
I had never quite liked Sangam. I hated Raj Kapoor's character, I hated the (by then) trope of 'guys sacrificing for one another and hang what the girl wants' bromances in Hindi films, and I'd never liked Rajendra Kumar. So, when the Criterion Channel had a Raj Kapoor retrospective, I watched Awara and Shree 420 at once but dithered for over a month before settling down to re-watch Sangam. Read on to see if I changed my mind.
Sangam opens with Radha, Sundar and Gopal as children. An orphan being brought up by the munshi of a rich man, Sundar is obsessed with Radha, who shows no sign of being even remotely friendly to him. [Perhaps the fact that he’s quarrelsome, has anger issues and seems only to care about what he wants has something to do with it.] Not so Gopal, for whom what Sundar wants is sacrosanct.
Now grown up, Sundar (Raj Kapoor) has chucked up a job in the Air Force to teach flying at a local club; Gopal (Rajendra Kumar) is in London, studying law, and Radha (Vyjayanthimala), beautiful and educated – is very much in love with Gopal.
Sundar’s obsession with Radha continues, as he chases her down in a plane or steals her clothes while she’s swimming, with just one question – Bol Radha bol, sangam hoga ke nahiin? She points out that he’s had his answer several times over but it’s been a ‘No’ all the time, he says; he’s going to keep asking until she says ‘Yes’. [So, basically, however much things have changed, they still remain the same.]
When Gopal returns, Radha decides that she will tell him how she feels.
Sundar, heartbroken but determined to earn their approval, returns to his job in the air force. It is war time, and Sundar is stationed at the front. While leaving, he begs Gopal to take care of Radha – “Make sure no man comes in between us,” he pleads. Radha is shocked – “I’m not in love with you, Sundar,” she screams, but Sundar doesn’t hear her over the noise of the plane. [He hasn’t listened to her the many times she said this before, so what made her think he would listen now, even if he heard her?]
As the war continues, Sundar volunteers for a suicide mission.
Two years pass, and while Gopal’s mother hasn’t given up hope that he’s not actually dead, Radha takes the first move towards taking control of her own life, asking Gopal if he doesn’t love her too. Freed from his promise to his dead friend, Gopal confesses his own feelings.
And then… Sundar returns.
Originally titled Gharaonda, and set to star Dilip Kumar, Nargis and Raj Kapoor as the three leads, Sangam is a messy but human tale of love, hurt ego and [misplaced] sacrifice. Raj Kapoor’s relationships were always untidy. Right from Aag, his debut film, he did not shy away from showing the messy side of obsession. In Sangam, too, Sundar is not heroic. His stalking, his obsession, his anger and jealousy are not glamourised.
Sundar’s obsessive love for Radha blinds him to her heartbreak and to Gopal’s
sacrifice. His open-hearted good nature forces Gopal to bend to his desire, and makes Radha collateral damage.
He loves Radha, yes, but it is a very selfish love.
In a bid to put her past behind her, she even tells Gopal not to visit them.
Yet, for Sundar, that’s not enough.
When Radha refuses to divulge the name of her lover, Sundar spirals into a vortex of hurt, jealousy and rage that spills out in the form of taunts directed at his wife. At one point, unable to take it anymore, the self-respecting Radha decides to leave. And an agonised Sundar pleads, “Mat jao, Radha.” There is both pain and understanding in Radha’s eyes as she tells him quietly, “Mujh se tumhaara dukh bardasht nahiin hota.”
The love is still there. It just isn’t enough.
Indeed, it is Radha who struggles to get the men in her life to understand her – yet Gopal whom she loves and who loves her, will not let her tell Sundar the truth.
In the end, though, "Aaj tak mujhe sach kehne ki shakti nahiin thi," he confesses. When Sundar learns the truth, his hurt bursts through the anger. "Phir wohi qurbani!" He had spent a lifetime being the recipient of Gopal's benevolence. When Gopal demurs that he sacrificed his love because Sundar is his friend, "Dost tha!" Sundar retorts. "Magar tum ne samjha nahin. Samjhte to phir aaj ye to na hota jo hua." If Gopal had only spoken... "Agar ek baar mujhse kaha hota." If only...
Trivia:
- Raj Kapoor’s meticulous attention to detail can be seen here as well, from the Canberra he flies as a bomber pilot and the Dakotas used as supply planes, a throwaway scene explaining why a bomber pilot would be delivering supplies, and another line of dialogue which explains how he can now read Hindi.
- One can’t speak about Sangam without mentioning the songs. As in all of Kapoor’s films, the songs were a part of the narrative. Ye mera prem patra padhkar was originally a love letter written by a lovelorn Hasrat Jaipuri to a girl he was too shy to speak to.
- When Vyjayanthimala had not responded to Raj Kapoor’s offer of the film, Kapoor sent her a telegram asking, ‘Bol Radha, bol Sangam hoga ke nahiin?” Her reply was – “Hoga, hoga, zaroor hoga.” These lines inspired Shailendra to pen Bol Radha bol sangam hoga ke nahiin.
- Kapoor’s films inevitably had one character named ‘Gopal’. The real-life Gopal was Raj Kapoor’s driver of many years, so dear to Kapoor that he considered him family.
- Sangam, clocking nearly 4 hours, originally opened with two intervals, a feat that Kapoor repeated with his magnum opus, Mera Naam Joker.
No comments:
Post a Comment